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Tuesday, January 29, 2013

Genre, Forms and Marketing Terms in the YA and Children's Markets




I frequently hear people refer to picture books, graphic novels and YA fiction as genres. So to clear this up once and for all, here's a cheat sheet:

A Form

A form refers to what the thing is, not what it's about. Not its content, but how that content is delivered. Its format.

Examples: Novels, short stories, comics, picture books, poems.


A Genre

Genre is a way to categorize stories by content usually based on the tropes and conventions that distinguish them.

Examples: Science Fiction, Mystery, Romance.

Fiction that doesn't fit in a particular genre is by default referred to as "literary fiction" but this doesn't necessarily make genre fiction any less literary. In the past if you wanted to write literature with a capital "L" it couldn't contain genre tropes, but this is changing.

Non fiction genres would include history, biography, autobiography or anything in the realm of the arts and sciences that you could put a general category around.

Genre can also be discussed in terms of form, but in a story sense rather than in a format sense. This has  more to do with structure than category.

Picture Books vs. Storybooks

The true picture book is equally dependent on words and pictures. Take out the pictures and it wouldn't make any sense. Some picture books work just fine without any words at all. Picture books like comics fall within the general area of sequential art--stories told with pictures set in sequence.

 Storybooks, and there are fewer and fewer of them these days, are illustrated prose, but with lots and lots of pictures. Storybooks fall into a looser formal category because some of them can just as easily fall in the realm of novels or illustrated short stories.

Great Picture Books Are Great Literature!

Nothing to add here. I just thought it needed to be said.

A Marketing Term

This is how you categorize books in order the sell them. The difference between a genre and a marketing term is that marketing terms don't necessarily dictate content. Note: I said, "not necessarily." Sometimes genre in itself can serve as a marketing term. But what I'm referring to here specifically is terms like "Young Adult."

Young Adult Fiction is any fiction that contains characters in their teens as protagonists. This does not necessarily refer to the sophistication of the writing, and does not refer to genre. It can refer to reading level--young adult tends to be written at a higher level than middle grade or early reader--but not necessarily.

Middle Grade Fiction is a marketing term for books written for ages 8 to 12.

Early Reader and Early Reader Chapter Books are books written for ages 5 to 7. These are the earliest books for young readers that have chapters in them.

And here's the kicker: Graphic Novels are actually, believe it or not, comic books. There's no real page limitation, it's just a self-contained comic book with a beginning, middle and end. In fact, even that might be stretching it. This is simply a term used by booksellers to sell any comic book that is not in periodical form. And just as comic books aren't necessarily comic, or books, graphic novels aren't necessarily novels, and just what a novel in comics form might be is a contentious debate that I don't even want to touch here.

 So there you have it. Not a genre, and not exactly a form, since a graphic novel could be just as easily the equivalent of a short story as a novel. Maybe even a poem. The term makes all of this all the more confusing to the new initiate, and has caused a lot of eye rolling from a lot of frustrated cartoonists who have long been ambivalent about the term.

How the Marketplace has Changed How We Read

There's been a recent push towards getting kids to graduate more quickly from picture books to chapter books. The storybook, the natural intermediary has gone out of vogue. There's more of a concentration on getting kids to progress developmentally than to have them simply read good books. Books with chapters and more words somehow equal a greater level of sophistication, when this isn't necessarily the case at all. Some of the best picture books have very advanced vocabulary, especially those that were written before the last decade. Picture books can be some of the greatest literature there is.

More recently word counts for picture books have diminished. 500 to 700 words has become the standard. Chapter books and Middle Grade books follow a similarly rigid format. These formats are so specific that books like Winnie the Pooh or anything at all written by Beatrice Potter are hard to market strictly on the basis of format in the current environment. It's telling that there are so many modern versions of these stories abridged to match the current industry standards. Look up Peter Rabbit and you'll find anything from board books for toddlers to picture books that contain simple variations on Potter's text, sometimes replacing Potter's illustrations with illustrations that look more contemporary. The Potter originals are thought to be a hard sell not because of how well they might hold up to a contemporary audience but because they don't fit in with a publishers Early Reader list. They're not the right word count. They can't put a "for ages 5 to 7" sticker on the front




Beatrix who?
On the plus side, the quality and sophistication of content of the young adult book has expanded dramatically, particularly in the fantasy genre due in large part to the success of Harry Potter, technically a middle grade book. When I was a kid there were few books around for the YA fantasy market as sophisticated and progressive as A Wrinkle In Time. Now I could name dozens. The appeal of these books has widened and they've even garnered a considerable adult audience. now YA, or at least YA fantasy is one of the few growing markets in fiction.

So kids, especially teens are reading, and reading more. There's a whole new generation of enthusiastic young readers. But the market place, at the same time, has become more conservative, and readers expectations have become more specific. We'll see what happens.


Monday, January 07, 2013

The Cygnet from the January Issue of Cricket Magazine

I illustrated a story by Susan Dickinson called, The Cygnet for Cricket Magazine about a boy who can speak to swans. This was a difficult subject for a number of reasons, not the least of which was that the deadline for the finish came just before a trip I was to take to the east coast to visit my dad. I still feel as though it's good work, but I could have done better time providing.

I was going for a art nouveau style, with the intention of having the line art look like it was made with a series of lithographic plates like an art nouveau poster. I looked at Mucha for inspiration, as well as old chromolithographic posters. I have long been fascinated by the whole process of chromolithography in early printing. Chromolithography came before the four color process (though I believe four color was around in Mucha's time) and instead of using cyan, black, yellow and magenta as in contemporary printing, layer upon layer of individually chosen colors were used, sometimes 20 or more, each with its own plate. The colors can be quite vibrant, each print a work of art in itself.

Here's the illustration for the title page, but since this is the 21st century rather than the 19th, it was printed in plain old CMYK:




The story is fantastical, but one of the problems in suspending reality is the question of physics. In this illustration the swans have rescued the boy, and he's being carried on the back of four swans flanked side by side. The boy is meant to be about 7 years old and probably about 70 lbs, so the image is a bit counterintuitive. My solution was to crop out the boys body and treat it more like a portrait.



If time had allowed I would have put more light on the clothing and made it a little more dimensional.

Included in the magazine was the work of Gennady Spirin, an excerpt illustrated by Spirin of a book by Sheila MacGill-Calahan. Sharing a space in the magazine with Spirin was both inspiring and humbling.   Sometimes looking at the work of someone as great as Spirin can make you wonder if you're ever going to come close to that level of accomplishment. All I can do is keep working hard.

In Recent News:

My on again, off again illness has continued to put a dent in my productivity, but this will change as soon as I get proper treatment which should be in the next week or two. Still its has been a frustrating few months. Fortunately I managed to finish binding all of 18 books to send to art directors and editors in the next few weeks.

Not long ago my agent Abigail Samoun set off for New York and Boston to show off my book and meet with some of those same art directors and editors to talk about my work and the work of the other many talented Red Fox Literary artists and writers. Hopefully this will result in some future work for all of us.